The Treasure Of Sierra Madre
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''The Treasure of the Sierra Madre'' (originally titled ''Der Schatz der Sierra Madre'') is a 1927
adventure novel Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction. History In the Introduction to the ''Encyclopedi ...
by German author
B. Traven B. Traven (; Bruno Traven in some accounts) was the pen name of a novelist, presumed to be German, whose real name, nationality, date and place of birth and details of biography are all subject to dispute. One certainty about Traven's life is ...
, whose identity remains unknown. In the book, two destitute American men in Mexico of the 1920s join an older American prospector in a search for
gold Gold is a chemical element with the symbol Au (from la, aurum) and atomic number 79. This makes it one of the higher atomic number elements that occur naturally. It is a bright, slightly orange-yellow, dense, soft, malleable, and ductile met ...
.
John Huston John Marcellus Huston ( ; August 5, 1906 – August 28, 1987) was an American film director, screenwriter, actor and visual artist. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered ...
adapted the book as a 1948 film of the same name.


Historical setting

The novel is set in the decade following the global upheavals of the
First World War World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
and social revolutions in
Russia Russia (, , ), or the Russian Federation, is a List of transcontinental countries, transcontinental country spanning Eastern Europe and North Asia, Northern Asia. It is the List of countries and dependencies by area, largest country in the ...
and
Mexico Mexico (Spanish: México), officially the United Mexican States, is a country in the southern portion of North America. It is bordered to the north by the United States; to the south and west by the Pacific Ocean; to the southeast by Guatema ...
. The United States is an emerging economic and political power. European and US corporations are aggressively seeking foreign markets, natural resources and cheap labor. Elements within the
Catholic Church The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
are struggling to retain their authority as liberal Mexican administrations institute social reforms, including an 8-hour day, literacy programs and health care. This is the context of the story.


Plot

The author employs a third person-omniscient in a dramatic-progressive structure, where Howard is the
focal character In any narrative, the focal character is the character on whom the audience is meant to place the majority of their interest and attention. They are almost always also the protagonist of the story; however, in cases where the "focal character" and ...
. Three stories within a story provide historical and social significance for the outer narrative.


Summary

The story opens in the oil boomtown of
Tampico Tampico is a city and port in the southeastern part of the state of Tamaulipas, Mexico. It is located on the north bank of the Pánuco River, about inland from the Gulf of Mexico, and directly north of the state of Veracruz. Tampico is the fifth ...
, Mexico in the early 1920s. Dobbs, an expatriate who hails from “an industrial American city” is unemployed, penniless and reduced to bumming spare change from American tourists. Loitering on Tampico's main plaza, he collects a number of generous handouts from well-to-do men who wear white suits. To Dobbs’ dismay, he discovers that he has been accosting the same individual repeatedly. The irate tourist at last upbraids the panhandler, dismissing him with a half-peso tip. At the ''Hotel Oso Negro'' (the Black Bear Hotel), a vermin-infested flophouse, Dobbs pays for a cot and a cold shower at 50 centavos per night. The hotel clientele comprises both employed and unemployed international workers, as well as a number of gamblers, thieves and tramps. The ''Oso Negro'', nevertheless, is operated efficiently by its sharp-eyed front desk clerks. The guests themselves collectively provide a degree of good order and security. In a café, a young Mexican lottery vendor exhorts Dobbs to purchase a ticket. Dobbs insults the boy, but finally consents to risk his last 20 centavos on the drawing. Dobbs lands a gig unloading agricultural machinery at four pesos per day. Desperate for better wages, he joins a rigging crew as a
roughneck Roughneck is a term for a person whose occupation is hard manual labor. The term applies across a number of industries, but is most commonly associated with the workers on a drilling rig. The ideal of the hard-working, tough roughneck has been ...
, run by American contractor Pat McCormick. A shrewd bidder on lucrative drilling projects, McCormick has a reputation for fast-paced operations and high productivity. He postures as an anti-capitalist and comrade to revolutionaries so as to win the loyalty of his newly arrived European laborers, who are sympathetic to Bolshevism. Americans are wise to his phony appeals to worker solidarity and McCormick avoids hiring them. The pay is $8 a day, less $1.80 for meals. The crews work 18-hour shifts, seven days a week for the duration of the project and no overtime pay. Mexican labor is never hired due to their national eight-hour day provision. When the rigging job is completed, the crew is sent back to Tampico to await payment. McCormick advances a few employees 5% of their pay. Dobbs argues for and gets 30% of his earning in cash. Weeks pass while Dobbs, along with Californian co-worker named Curtin seek the evasive contractor. The men spot McCormick in the central plaza, promenading with his meretricious mistress. When they confront him, he invites the resentful Dobbs and Curtin into a ''cantina'' for a drink. Plying the men with liquor, McCormick pleads that he has not yet been reimbursed by the oil company. Curtin curses his lie, while Dobbs thrusts him against the bar, demanding their wages. McCormick, himself a brawler, and capable of beating up the men one-on-one, mentally calculates his losses if he ends up in a hospital after a desperate bar fight against both determined workers. He pulls out the cash he owes Dobbs and Curtin and throws it on the bar top. Vowing to never hire them again, he strides out of the ''cantina''. When Dobbs returns to the ''Oso Negro'', he encounters the greying Howard, an old-timer who has travelled the world in search of gold. The loquacious old man is holding forth with his bunkmates on the perils of striking it rich. Discovered in quantity, he avers, gold distorts a man's estimate of vice and virtue. Invariably he succumbs to greed, and no amount of gold will satisfy him. Overhearing this, Dobbs becomes agitated, swearing that he is immune to the sinister forces of gold, that he would be happy with a $20,000 fortune, no more. Howard quietly takes the measure of Dobbs with a long look, then returns to his sermon. He assures them that, though no longer in his prime, he is ready to share expenses on a gold-prospecting expedition. Dobbs and the others feel the powerful lure of the precious metal.


Story within a Story A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes c ...
: The Legend of ''La Mina Agua Verde''

Dobbs shares the legend of the Green Water Mine with Curtin, and has a premonition that he may be subject to a gold curse. Curtin discounts any “curse” associated with gold and holds that a person's character determines its effects; it may be used for bad or good. With many oil fields beginning to shut down operation in Mexico and relocate to other countries, the two men are impelled to partner with Howard to seek gold. Curtin is skeptical as to the old man's fitness, but Dobbs assures him that Howard is indispensable to the success of their venture, wondering if the old timer will even entertain shouldering two greenhorn prospectors. Howard gladly consents, and offers to invest the bulk of his savings, $200, towards the endeavor. Dobbs discovers that his lottery ticket has netted 100 pesos, and Curtin, in turn, collects an outstanding loan repayment with interest to the amount of $200. With about $600 in pooled funds, the trio depart immediately by train for the city of
Durango Durango (), officially named Estado Libre y Soberano de Durango ( en, Free and Sovereign State of Durango; Tepehuán: ''Korian''; Nahuatl: ''Tepēhuahcān''), is one of the 31 states which make up the 32 Federal Entities of Mexico, situated in ...
, in the Mexican interior. In Durango, Howard selects a promising region in the remote Sierra Madre Mountains to search for gold. Purchasing supplies and pack animals in local villages they begin their ascent. Dobbs and Curtin are staggered by the hardships they experience in wilderness travel. Several promising sites are tested, but show only traces of gold. The two inexperienced men begin to despair and consider quitting. Howard suddenly begins to berate his companions, disparaging their pessimism and ignorance. The old man's outburst is such that Dobbs and Curtin suspect he has gone mad. Listening to him, they begin to grasp what he is saying: the keen-eyed miner recognizes that the terrain is laden with
placer gold Placer mining () is the mining of stream bed (alluvial) deposits for minerals. This may be done by open-pit (also called open-cast mining) or by various surface excavating equipment or tunneling equipment. Placer mining is frequently used for pr ...
. An excavation site is selected and the base camp is situated over a mile away for security. The men intend to pose as professional game hunters seeking commercial hides. The approach to the diggings are carefully camouflaged with boulders and trunks. The local people take little interest in their activities and do not molest them. They establish a placer gold operation, using a sluice box, with the water hauled to the apparatus by burros from a nearby creek. Driven by entrepreneurial self-interest, Dobbs and Curtin work to the limits of their endurance. The gold accumulates slowly but surely. As the fortune piles up, the prospectors' class identity shifts. With property to defend, they adopt a bourgeois outlook, suspicious of the have-nots. They cease to be proletariats. Even as the men share the same hardships, they do not forge friendships, merely alliances for profit. Their willingness to rescue a partner in distress is self-serving: the loss of one man to death or injury could cripple the profitable enterprise. Months of hard labor and privations in the wilderness begins to show on the men. They are sick of the grub, the monotony of the work regimen and, especially, of one another. Howard has constantly to intervene to defuse fights between the younger men. In a number of violent confrontations, they pull their pistols and come close to shooting each other over trifles. The miners begin to anticipate the end of the operation and a return to civil society. Curtin raises the question as to how much each gold share will bring in cash. Howard calculates this to be about $15,000 apiece. The claim is beginning to show signs of depletion and the men set a date of departure of 6–8 weeks. They collaborate in planning the safe transportation and conversion of their riches to currency. For the first time in months, they begin to think of their personal futures. Curtin makes a final resupply trip to the local village. He takes a few hides as usual to sell at the dry goods store; this, to keep up the pretense he is a hunter. Curtin is accosted by a friendly American newcomer visiting the store. The man insinuates that there is much gold in the nearby mountains; Curtin emphatically denies it. The stranger guesses the significance of Curtin's aloofness and trails him into the mountain wilderness. Without warning, the intruder steps silently into their fire circle. The prospectors are momentarily taken off guard by his arrival. Dobbs recovers, and emphatically tells the man to clear out, but the stranger stands his ground. The miners cunningly ignore the unwelcome guest, and pretend to discuss “hunting” strategies. The stranger bluntly informs them the area is unfit for commercial hunting – rather, they are sitting on a gold field. The prospectors return to their tent intensely suspicious of the man's purpose. They permit him to stay the night. The stranger introduces himself as Robert W. Lacuad of Phoenix, Arizona, “Tech, Pasadena”. When Howard goes to check the burros, he spots mounted men in the distance approaching the encampment. They are not Mexican soldiers or police. Lacuad warns the miners that the horsemen are dangerous bandits, led by the notorious Gold Hat. Tipped off by locals, they are searching for the “hunter” (Curtin) to seize his guns and ammunition. Lacuad assures his companions that their lives are in imminent danger. As they anxiously watch the bandits slowly ascend the trail, Lacuad relates to them the story of Gold Hat, conveyed to him by a local nobleman, don Genaro Montereal, while visiting his estate the previous week.


Story within a story A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes c ...
: Lacaud’s narrative of an incident in the ''Viva Nuestro Rey Cristo'' Uprising

The prospectors take up positions in a trench-like ravine with a view of the campsite, fortifying it like a military bunker. Howard assumes command with the consent of the others and holds a war council. Gold Hat and his men dismount and enter the campsite on foot, expecting to encounter only a lone hunter. Failing to find him, they quarrel and consider returning to the village. The prospectors silently observe these developments from their hidden defenses. As the 20-man bandit group prepare to spend the night, one member explores the vicinity and discovers Curtin in the trench. Curtin warns him away, and the bandit alerts his companions. Gold Hat approaches Curtin and identifies his cohorts as '' policia montada'' (mounted police), searching for outlaws who robbed a train. Curtin in turn demands that they show their police badges. Gold Hat, affronted, threatens Curtin with arrest for hunting without a license and possessing unregistered firearms. Curtin brandishes his rifle and the bandits determine to lay siege to his foxhole; they prefer to take him alive so as to torture him to death for entertainment. The methods they will use matches the iconography of Catholic Church and the practice of torture by the Inquisition. The bandits wear the icons of the Virgin Mary and Saint Joseph, believing they will protect them in their endeavors. Gold Hat tries to lure Curtin from his foxhole with promises of a gold watch. Rebutted, the outlaws construct movable barriers to assault the trench. Before they can deploy them, a company of genuine mounted police, alerted by villagers, appear and pursue Gold Hat and his gang as they flee the encampment. With the ordeal over, Howard, Dobbs and Curtin express a desire to terminate operations and return immediately to civilization, Howard confides to Dobbs and Curtin that Lacuad is an eccentric “eternal” – a prospector who becomes obsessed over a coveted diggings and will not abandoned even after decades of failure. They leave him to his fate. Howard directs the dismantling of their mine so as to leave no trace of its existence. Howard warns his cohorts that the next phase – transferring the gold dust back to civilization – may be the riskiest phase and they become preoccupied with its challenges. Howard illustrates these dangers in his tale of the Dona Maria Mine.


Story within a Story A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes c ...
: Legend of Dona Catalina Maria de Rodriguez and the “Dona Maria” Mine.

Howard, Curtin, and Dobbs take leave of Lacuad and head for Durango. The threesome avoid populated areas and refrain from acting suspicious so as not to draw attention from locals. Passing through a tiny village, they are detained by Mexican officials. Expecting the worst – that they will be fined for operating an unregistered mine – the officials turn out to be medical technicians for the Health Commission vaccinating the residents for smallpox. The prospectors gladly submit to be inoculated and go their way. Setting up camp, they are intercepted by a delegation of mounted ''indios''. The farmers request that the American accompany them to their village: the son of one of the men has been pulled from a swimming hole unconscious and cannot be revived. Howard consents to accompany them to their village and examine the boy. There, he applies basic First Aid to the child and he recovers. The villagers regard Howard's powers as those of a medicine-man or magician. Howard rejoins Dobbs and Curtin and they resume their journey, but they are shortly overtaken by the father of the boy he saved. The man and his companions insist that Howard return to the village so they can pay back the debt – a matter of etiquette and honor. The prospectors recognize that the ''indios'' are in earnest, and Howard relents. He relinquishes his possessions – including his share of gold – to the care of Dobbs and Curtin. They promise to rendezvous with him in Durango. Howard is welcome as a hero by the villagers upon his return. Dobbs and Curtin, struggling to cross the high Sierra Madre, begin to quarrel in the absence of Howard's steadying influence. Dobbs, regretting having agreed to transport Howard's gear, lashes out at Curtin. Curtin maintains his composure and shoulders most of the work. Despite this, the unstable Dobbs descends into a homicidal rage, which Curtin, though anxious, is slow to grasp. When Dobbs proposes that they abscond with Howard's share, Curtin flatly vetoes the notion. Dobbs reacts to his comrade's defense of Howard as a symptom of Bolshevism. Curtin does not deny being a socialist, but emphatically refuses to betray the old man. Though not above some unscrupulousness himself, his actions are directed toward those who have power and wealth, not against his companions. When Dobbs pulls his pistol, Curtin is thunderstruck; he realizes that Dobbs is a homicidal maniac. Curtin manages to disarm Dobbs, but cannot, on principle, bring himself to kill an unarmed man. Dobbs’ hatred and contempt for Curtin deepens when he interprets this restraint as “Bolshevik” in character. The unarmed Dobbs bides his time in the ensuing days, taunting his bewildered companion. Curtin is forced to remain awake at night to fend off an assault by Dobbs. Exhausted, he finally slips into sleep. Dobbs instantly seizes his pistol and marches Curtin into the underbrush where he shoots him point blank. Returning minutes later to make sure the man is dead, he shoots into the prostrate body a second time. In an attempt to rationalize his crime, Dobbs recalls that, while serving in the US military in Europe, he had killed German soldiers in combat. His conscience troubles him, but he finally falls into a deep sleep. He awakes and searches for Curtin's body, but cannot find it. He begins to hallucinate as his alienation and guilt take hold of him. He departs camp and makes good progress towards Durango, in possession of all the gold. When he spots a locomotive in the distant valley, his anxiety fades and he contemplates a trip to the British Isles, the home of his ancestors. His only concern is that his crime will be discovered before he can cash in and escape. In sight of Durango, he is reassured that the law and order that protects property in civilized areas will assert itself. Dobbs gloats over his presumed killing of Curtin and his double-dealing of Howard. On the outskirts of Durango, Dobbs and his pack train stumble onto three Mestizo desperados – Miguel, Nacho, and Pablo – at a secluded site off the main road. Dobbs senses his life is in danger. The Mestizos begin to ransack the packs. Dobbs pulls his pistol, only to find it is unloaded. After one of the Mestizos knocks Dobbs to the ground with a rock to the head, Miguel, the leader of the gang, decapitates the stunned Dobbs with a machete. The men don his boots and pants but leave his bloody shirt behind, and escape with the pack train. The outlaws, upon examining the contents of the pack, find only what appears to be sand in burlap bags. They guess that this is ballast placed in the packs to inflate the value by weight of commercial hides, or perhaps samples taken by a mining company engineer. They cannot fathom that it could be a fortune in placer gold. Frustrated at the paucity of loot, they slash the bags and contents pour out, swept away by the wind. The desperados travel to a tiny village in the high Sierra Madre and offer the stolen burros for sale. The village elders casually examine the animals and the men's outfits. The brands on the burros are recognized as those sold to three prospectors months before. The village mayor is sent for; he engages the three Mestizos in an unassuming, yet probing interrogation regarding their acquisition of the burros and packs. The thieves are equivocal. The mayor quietly assembles the men of the village. After further cross-examination and more inconsistences in the scenario, a posse is sent to locate Dobbs and discover his decapitated remains. The local military garrison is notified, and a captain arrives with a platoon of troopers to take the Mestizos into custody. While being marched back to the garrison, the accused murderers are shot to death while trying to “escape”. Their corpses are buried where they fell, with a cynical display of decorum. Curtin, wounded and barely alive, is found crawling through the underbrush by a local woodsman. He takes Curtin to his home, and Howard is notified that a gringo needs medical care. When Howard arrives, Curtin relates his ordeal with Dobbs, and swears revenge. Howard, reflecting on the incident, and without exonerating Dobbs, does not consider him a natural killer. The old timer points to the temptation of $50,000 in gold, and declares that any person might be tempted to murder for it. The two men agree to pursue Dobbs and retrieve their fortunes – not yet knowing Dobbs’ fate. While Curtin convalesces, Howard embarks for Durango, but he is intercepted by the mayor who presided over the interrogation of Dobbs’ murderers and tells him the story. Howard is informed that the gold has been lost. He returns to his village and relates the tragic news to Curtin. Grasping the enormity of the disaster, Howard roars with Homeric laughter. Curtin is at first offended, distraught at the loss of the fortune, but finally joins the old prospector in his ironic mirth. Howard is content to remain in the village as a medicine-man and offers Curtin to accompany him as an apprentice doctor. Howard remains enthusiastic about a life as an honored member of the Indio community. Curtin bids Howard farewell, and promises to visit his old comrade when he fully recovers.


Adaptations


Film

*
John Huston John Marcellus Huston ( ; August 5, 1906 – August 28, 1987) was an American film director, screenwriter, actor and visual artist. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered ...
successfully adapted the book as a 1948 film of the same name. * The 1984 made-for-television movie '' Wet Gold'' has been called an unofficial remake of ''The Treasure of the Sierra Madre'', borrowing the basic storyline but set in the modern-day Caribbean and concerning a sunken treasure of gold bars.


Television

* Episode 3 of the first season of the 1955 TV series ''
Cheyenne The Cheyenne ( ) are an Indigenous people of the Great Plains. Their Cheyenne language belongs to the Algonquian language family. Today, the Cheyenne people are split into two federally recognized nations: the Southern Cheyenne, who are enroll ...
'' gives a writing credit (novel) to
B. Traven B. Traven (; Bruno Traven in some accounts) was the pen name of a novelist, presumed to be German, whose real name, nationality, date and place of birth and details of biography are all subject to dispute. One certainty about Traven's life is ...
, and contains the same basic plot as the novel, with the main character, Cheyenne, standing in the role of the old prospector, Howard, of the original story.


Video Games

* The first DLC for the game '' Fallout: New Vegas'', titled ''Dead Money'', borrows from the basic themes of the novel, with some post-apocalyptic twists, replacing the Sierra Madre mountains with the ruins of a casino known as the Sierra Madre, and having the antagonist of the DLC "solving" the novel's issue of greed by equipping the player character and all of the other NPCs in the DLC with bomb collars equipped with
dead man's switch A dead man's switch (see alternative names) is a switch that is designed to be activated or deactivated if the human operator becomes incapacitated, such as through death, loss of consciousness, or being bodily removed from control. Originally a ...
es, so that if one of the group dies, they all die.


References


Further reading

* * * * * {{DEFAULTSORT:Treasure Of The Sierra Madre, The 1927 German-language novels Novels set in Mexico German novels adapted into films Fiction about mining